Saturday, December 29, 2007

Ashton Kutcher


Iowa native Kutcher seems like the kind of guy who's always led a charmed life, but he's had his share of heartbreaks. His fraternal twin has cerebral palsy, he lived through a stormy home life growing up, and he was busted for burglary in high school. But things started looking up after Kutcher moved to L.A. and was cast in the sitcom, That 70s Show. He moved on to film roles like Dude, Where's My Car?, and he has produced and starred in MTV's prankfest Punk'd. His marriage to Demi Moore, 15 years older, has produced much hand wringing among his female fans, but that hasn't stopped them from flocking to his flicks.

Martin Luther King


Martin Luther King, Jr., (January 15, 1929-April 4, 1968) was born Michael Luther King, Jr., but later had his name changed to Martin. His grandfather began the family's long tenure as pastors of the Ebenezer Baptist Church in Atlanta, serving from 1914 to 1931; his father has served from then until the present, and from 1960 until his death Martin Luther acted as co-pastor. Martin Luther attended segregated public schools in Georgia, graduating from high school at the age of fifteen; he received the B. A. degree in 1948 from Morehouse College, a distinguished Negro institution of Atlanta from which both his father and grandfather had graduated. After three years of theological study at Crozer Theological Seminary in Pennsylvania where he was elected president of a predominantly white senior class, he was awarded the B.D. in 1951. With a fellowship won at Crozer, he enrolled in graduate studies at Boston University, completing his residence for the doctorate in 1953 and receiving the degree in 1955. In Boston he met and married Coretta Scott, a young woman of uncommon intellectual and artistic attainments. Two sons and two daughters were born into the family.

In 1954, Martin Luther King accepted the pastorale of the Dexter Avenue Baptist Church in Montgomery, Alabama. Always a strong worker for civil rights for members of his race, King was, by this time, a member of the executive committee of the National Association for the Advancement of Colored People, the leading organization of its kind in the nation. He was ready, then, early in December, 1955, to accept the leadership of the first great Negro nonviolent demonstration of contemporary times in the United States, the bus boycott described by Gunnar Jahn in his presentation speech in honor of the laureate. The boycott lasted 382 days. On December 21, 1956, after the Supreme Court of the United States had declared unconstitutional the laws requiring segregation on buses, Negroes and whites rode the buses as equals. During these days of boycott, King was arrested, his home was bombed, he was subjected to personal abuse, but at the same time he emerged as a Negro leader of the first rank.

In 1957 he was elected president of the Southern Christian Leadership Conference, an organization formed to provide new leadership for the now burgeoning civil rights movement. The ideals for this organization he took from Christianity; its operational techniques from Gandhi. In the eleven-year period between 1957 and 1968, King traveled over six million miles and spoke over twenty-five hundred times, appearing wherever there was injustice, protest, and action; and meanwhile he wrote five books as well as numerous articles. In these years, he led a massive protest in Birmingham, Alabama, that caught the attention of the entire world, providing what he called a coalition of conscience. and inspiring his "Letter from a Birmingham Jail", a manifesto of the Negro revolution; he planned the drives in Alabama for the registration of Negroes as voters; he directed the peaceful march on Washington, D.C., of 250,000 people to whom he delivered his address, "l Have a Dream", he conferred with President John F. Kennedy and campaigned for President Lyndon B. Johnson; he was arrested upwards of twenty times and assaulted at least four times; he was awarded five honorary degrees; was named Man of the Year by Time magazine in 1963; and became not only the symbolic leader of American blacks but also a world figure.

At the age of thirty-five, Martin Luther King, Jr., was the youngest man to have received the Nobel Peace Prize. When notified of his selection, he announced that he would turn over the prize money of $54,123 to the furtherance of the civil rights movement.

On the evening of April 4, 1968, while standing on the balcony of his motel room in Memphis, Tennessee, where he was to lead a protest march in sympathy with striking garbage workers of that city, he was assassinated.

Paris Hilton Biography (1981-)

Model/actress/socialite Paris Whitney Hilton was born February 17, 1981, in New York City. Thanks to her great-grandfather Conrad Hilton, founder of the Hilton hotel chain, Paris is the shared heir to a family fortune estimated at $300 million. The daughter of Rick and Kathy Hilton, Paris grew up alongside her younger sister, Nicky, and two brothers, Baron and Conrad, in their homes in Manhattan's Waldorf-Astoria, Beverly Hills and The Hamptons.



After graduating from high school, Paris pursued a modeling career, appearing in such national publications as GQ and Vanity Fair and on runways for various New York designers. She soon became a well-known jetsetter, courting media attention for her outrageous lifestyle. Whether it was a short-lived romance with Leonardo DiCaprio or boxer Oscar de la Hoya or a rude remark in a public bathroom during a night of partying with her sister, Paris frequently received bad press for her socialite antics. A notorious sex tape starring Paris and her ex Rick Solomon, which was released on the Internet, didn’t help matters.



In 2001, perhaps in an effort to clean up her reputation, she turned from modeling to acting, appearing in Ben Stiller’s spoof Zoolander, an adaptation of the Dr. Seuss classic The Cat in the Hat and 2004’s Raising Helen with Kate Hudson. But it was her turn as herself in the 2003 Fox reality show The Simple Life that earned her the most publicity. Starring Paris and her best gal pal Nicole Richie (daughter of legendary pop icon Lionel), the show followed the girls on their misadventures while trying to get along on a working farm. The show was such a hit, that Fox followed it up the next year with The Simple Life 2: Road Trip.



In May 2005, Hilton announced her engagement to Greek shipping heir Paris Latsis. The couple called off the nutpials in October. She has also been romantically linked to Greek shipping fortune heir Stavros Niarchos III and actor Josh Henderson.



The latest installment of Hilton's reality series, The Simple Life Goes to Camp, premiered in 2007. But her return to television was overshadowed by her legal problems. Arrested in September 2006 for driving under the influence, she had received probation for that offense. But she then was caught in February 2007 driving with a suspended license and charged with violating her terms of her probation. In May she was sentenced to 45 days in jail. This was later reduced to 23 days. Hilton reported to the Century Regional Detention Facility in Lynwood, California, on the night of June 3. Earlier that evening, she had appeared at the 2007 MTV Movie Awards.



After serving only three full days in prison, Hilton was released early in the morning on June 7. She was reportedly released early for health reasons. To finish her sentence, Hilton ordered to spend 40 days in home confinement.

Frank Rich - biography

Frank Rich (born June 2, 1949 in Washington, D.C.) is a columnist for The New York Times who focuses on American politics and popular culture. His column ran on the front page of the Sunday arts and leisure section from 2003 to 2005; it now appears in the expanded Sunday Week in Review section.

From 1980 to 1993, Rich was the Times' chief theater critic. He was sometimes known as "the Butcher of Broadway," not only for the perceived frequency and acerbity of his negative reviews, but also for the supposed influence that those reviews carried in determining whether or not a producer would close a show. But Rich wasn't always negative; he enthusiastically championed what were then new and diverse voices in American playwriting like August Wilson, David Henry Hwang, Tony Kushner and Scott McPherson. Additionally, he lobbied for much of the work done during his tenure by established dramatists like John Guare and Stephen Sondheim.

His reviews have been collected in a book, Hot Seat: Theater Criticism for The New York Times, 1980-1993 (ISBN 0-679-45300-8), published in 1998. One of the running themes in the book is Rich's attempt to disprove the perceived power of his position as the Times' Chief Drama Critic. As an addendum to the anthology, Rich provides statistics demonstrating a dozen or more shows that he panned which racked up long runs, as well as many shows that got raves from him but couldn't stay open more than a few weeks. He published a memoir, Ghost Light (ISBN 0-375-75824-0), in 2000.

Rich authored the book The Greatest Story Ever Sold: The Decline and Fall of Truth from 9/11 to Katrina, a criticism of the post-9/11 policies of the George W. Bush administration and especially of its use of PR. The book's fame was bolstered by a recurring endorsement on The Colbert Report following host Stephen Colbert's mock-"outrage" that Hugo Chávez had increased sales of Noam Chomsky's Hegemony or Survival: America's Quest for Global Dominance to the Number 1 spot at Amazon.com, dropping Rich's book to spot 2.

Rich makes regular references to a broad range of popular culture — including television, movies, theater, and literature — and draws connections to politics and current events. In a January 2006 appearance on The Oprah Winfrey Show, he commented on the James Frey memoir scandal. On that show, he expanded on his usage in his column of the term "truthiness" (originally coined on The Colbert Report) to summarize a variety of parallel ills in culture and politics. In 2005, Rich received the George Polk Award [1] given annually by Long Island University to honor contributions to journalistic integrity and investigative reporting.

Rich graduated from Harvard in 1971, where he was editorial chairman of the Harvard Crimson, studied American History and Literature, and lived in Lowell House. Before joining the Times in 1980, he was a film critic for Time. He is Jewish.[2] He is married to Alex Witchel, who also writes for the Times, and has two sons from his previous marriage to Gail Winston. He lives in Manhattan.





Criticisms
Rich is often criticized by Bill O'Reilly, host of The O'Reilly Factor on Fox News Channel. Rich is openly critical of Fox News Channel, accusing it of having a conservative bias. [3] O'Reilly cites Rich's 2007 award from GLAAD (Gay & Lesbian Alliance Against Defamation) as proof of his bias[4]. O'Reilly has also called Rich a hypocrite on O'Reilly's radio broadcast April 16, 2007 in response to Rich calling Mel Gibson anti-semitic for his movie, The Passion of the Christ, despite Rich's friendly nature with controversial commentator Don Imus who has called New York City based sportscaster Len Berman "Lenny the Jew" on a 60 Minutes Broadcast in 1998.


Books
The Greatest Story Ever Sold: The Decline and Fall of Truth from 9/11 to Katrina (ISBN 1-59420-098-X)
Ghost Light: A Memoir (ISBN 0-375-75824-0)

References
^ George Polk Awards for Journalism press release. Long Island University. Retrieved on November 15, 2006.
^ Everybody hates Don Imus. Retrieved on April 15, 2007.
^ Frank Rich. This Time Bill O'Reilly Got It Right. Retrieved on April 5, 2007.
^ Patti LaBelle, Tom Ford, Kate Clinton Honored at 18th Annual GLAAD Media Awards in New York. Retrieved on April 5, 2007.

External links
"Meet Frank Rich", New York Times biographical video interview (Requires TimesSelect subscription)
Index of New York Times columns by Frank Rich requires "Times Select" membership to view individual articles.
Harvard Crimson pieces
Rich participates in extended political discussion with Andrew Rosenthal, David Brooks and Maureen Dowd, New York Times video, July 17, 2006 (TimesSelect subscription required)]
Reviewing "Reality" - New York Times columnist Frank Rich views political life through a theatrical lens, by Craig Lambert, Harvard Magazine, July-August 2007

Alicia Alonso- Alicia Ernestina de la Caridad del Cobre Martínez Hoya

Alicia Ernestina de la Caridad del Cobre Martínez Hoya (born December 21, 1920), simply known as Alicia Alonso, is a Cuban prima ballerina assoluta and choreographer. She is considered a legend and is most famous for her portrayals of Giselle and Carmen.[2]. Since she was nineteen, Alicia was afflicted with an eye defect and was partially blind. Her partners always had to be in the exact place she expected them to be, and she used lights in different parts of the stage to guide her.



Early life
Alonso was born in Havana, Cuba. She was the only daughter of an army officer and his wife. The family was financially comfortable and lived in a fashionable section of the then-vibrant capital. Alonso indicated at a very early age an affinity for music and dance - her mother could occupy her happily for long periods with just a phonograph, a scarf, and some records, she started dancing at the age of nine and started her ballet studies at Sociedad Pro-Arte Musical in Havana with Sophie Fedorova, a year later performed publicly for the first time in Tchaikovsky's Sleeping Beauty. Alonso danced in Cuba under the name of Alicia Martínez.

The dancer's rapid progress in her lessons came to an abrupt halt in 1937, when the 15-year-old fell in love with and married a fellow ballet student, Fernando Alonso, that's when she changed to last name to Alonso. The new couple moved to New York City, hoping to begin their professional careers there and found a home with relatives in the Spanish Harlem section of the city. Alonso soon gave birth to a daughter, Laura, but managed to continue her training at the School of American Ballet and take private classes with Leon Fokine, Alexandra Fedorova,Enrico Zanfretta, and Anatole Vilzak. She then arranged to travel to London to study for a time with the renowned Vera Volkova. Meanwhile, her husband had joined the new Mordkin Ballet Company in New York. Since she was nineteen, Alicia was afflicted with an eye defect and was partially blind. Her partners always had to be in the exact place she expected them to be, and she used lights in different parts of the stage to guide her.


[edit] Alonso's professional debut
While in New York, Alicia danced in the musicals Great Lady (choreographed by George Balanchine) in 1938 and Stars in Your Eyes in 1939. She was a soloist with American Ballet Caravan in 1939 and 1940. Perhaps discouraged by this less-than-auspicious beginning, Alonso sent Laura back to her family in Cuba, determined to remove all distractions from her training. She and Fernando embarked upon a stringent and unrelenting physical regime and vigilantly scoured all opportunities for their big break into the world of ballet. Dancer Agnes de Mille had become a friend of the couple at this point and later recalled wondering how the Alonsos could put themselves through such grueling pain and sacrifice. Meanwhile, the dancer joined the American Ballet Caravan as a soloist in 1939 and stayed with the company when it became the New York City Ballet in 1940. Occasionally, Alonso would return to Cuba to dance as prima ballerina with Havana's Teatro Pro-Arte.

In 1941 Alonso was one of the founding members of the American Ballet Theatre (at that time called Ballet Theatre)[3]. In 1941, the new Ballet Theater chose Alonso as a dancer for its corps de ballet, a group of dancers who performed together in a company. As part of this job, she had to do 90 minutes of demanding exercises every morning in the company class, but Alonso chose to take a second class at another school later in the day as well. Each night before her performance, she would do an elaborate warm-up routine coached by Fernando, after which she would go to her dressing room, dry off, and get into her costume. Accounts from this period say that Alonso would go on to give brilliant performances, but de Mille eventually chastised her friend for continuing the harsh regimen. Alonso reportedly replied that she had to continue in order to "get strong." In fact, the intense work had changed the dancer's body so that her immense strength and capability were obvious.

Critics began to take notice and wrote rave reviews of the ballerina they called a rising star. While with American Ballet Theatre, Alonso created leading roles in Antony Tudor's Undertow (1943), and George Balanchine's Themes and Variations (1947). Because of Nora Kaye's illness, Alonso danced the premier of de Mille's Fall River Legend in 1948. While in American Ballet Theatre she worked with Mikhail Fokine, George Balanchine, Léonide Massine, Bronislava Nijinska, Antony Tudor, Jerome Robbins, and de Mille, among other relevant choreographers of our century. From that moment, her career flourished as she started dancing leading roles of masterpieces from the Classical and Romantic repertory. Her partnership with Igor Youskevitch was one of the great teams and together with him she joined Ballets Russe de Monte Carlo in 1955. Alonso performed leading roles in important world premieres such as Undertow, Fall River Legend, and Theme and Variations. As a member of ABT, she performed as a principal dancer in various European and American countries.


[edit] Vision Problems
After seeing the doctor for worsening vision problems, Alonso was diagnosed in 1941 with a detached retina. She had surgery to correct the problem and was ordered to lie in bed motionless for three months to allow her eyes to heal. Unable to comply completely, Alonso practiced with her feet alone, pointing and stretching to, as she put it, "keep my feet alive." When the bandages came off, Alonso was dismayed to find that the operation had not been completely successful. The doctors performed a second surgery, but its failure caused them to conclude that the dancer would never have peripheral vision. Finally, Alonso consented to a third procedure in Havana, but this time was ordered to lay completely motionless in bed for an entire year. She was not permitted to play with Laura, chew food too hard, laugh or cry, or move her head. Her husband sat with her every day, using their fingers to teach her the great dancing roles of classical ballet. From Women in World History, Alonso later recalled of that period, "I danced in my mind. Blinded, motionless, flat on my back, I taught myself to dance Giselle."

Finally, she was allowed to leave her bed, although dancing was still out of the question. Instead, she walked with her dogs and, against doctor's orders, went to the ballet studio down the street every day to begin practicing again. Then, just as her hope was returning, Alonso was injured when a hurricane shattered a door in her home, spraying glass splinters onto her head and face. Amazingly, her eyes were not injured. When her doctor saw this, he cleared Alonso to begin dancing, figuring that if she could survive an explosion of glass, dancing would do no harm.


[edit] Back to Work at Last
Nearly mad with impatience and still partially blind, Alonso traveled back to New York in 1943 to begin rebuilding her skills. However, before she had barely settled, out of the blue she was asked to dance Giselle to replace the ballet Theater's injured prima ballerina. Alonso accepted and gave such a performance that the critics immediately declared her a star. She was promoted to principal dancer of the company in 1946 and danced the role of Giselle until 1948, also performing in Swan Lake, Anthony Tudor's Undertow (1943), Balanchine's Theme and Variations (1947), and in such world premieres as deMille's dramatic ballet Fall River Legend (1948), in which she starred as the Accused. By this time in her career, she had developed a reputation as an intensely dramatic dancer, as well as an ultra-pure technician and a supremely skilled interpreter of classical and romantic repertories.

Alonso's longtime dance partnership with the Ballet Theater's Igor Youskevitch has been compared to that of Fred Astaire and Ginger Rogers. Youskevitch and her other partners quickly became expert at helping Alonso conceal her handicap. To compensate for only partial sight in one eye and no peripheral vision, the ballerina trained her partners to be exactly where she needed them without exception. She also had the set designers install strong spotlights in different colors to serve as guides for her movements. Alonso knew, for instance, that if she stepped into the glow of the spotlights near the front of the stage, she was getting too close to the orchestra pit. There was also a thin wire stretched across the edge of the stage at waist height as another marker for her, but in general she danced within the encircling arms of her partners and was led by them from point to point. Audiences were reportedly never the wiser as they watched the prima ballerina.


[edit] A New Endeavor in Havana
Alonso's desire to develop ballet in Cuba led her to returned to Havana in 1948 to found her own company, the Alicia Alonso Ballet Company, which she maintained with little financial support, this company eventually became Ballet Nacional de Cuba. Fernando was general director of the company, which was at that time composed mainly of Ballet Theater dancers temporarily out of work due to a reorganization in the New York company. Fernando's brother Alberto, a choreographer, served as artistic director for the company.

The company debuted briefly in the capital and then departed for a tour of South America. The performances were a hit with audiences everywhere, but Alonso found herself funding the company with her savings to keep it going despite donations from wealthy families and a modest subsidy from the Cuban Ministry of Education. Meanwhile, she commuted between Havana and New York to recruit the world's best teachers to train her new students. She remained a sought-after prima ballerina during this hectic time, dancing twice in Russia in 1952 and then producing and starring in Giselle for the Paris Opera in 1953.

Between 1955 and 1959, Alicia danced every year with the Ballet Russe de Monte Carlo as guest star. She was the first dancer of the Western Hemisphere to perform in the Soviet Union, and the first American representative to dance with the Bolshoi and Kirov Theaters of Moscow and Leningrad (St. Petersburg) respectively in 1957 and 1958. During the decades to follow Alicia Alonso had cross-world tours through West and East European countries, Asia, North and South America, and she danced as guest star with the Opera de Paris, the Royal Danish Ballet, the Bolshoi and with other companies.[1] She has staged her versions of Giselle, Pas de Quatre, and Sleeping Beauty for the Paris Opera. She also staged Giselle at the Vienna State Opera and the San Carlo Theater of Naples, Italy; La Fille Mal Gardee at the Prague State Opera, and Sleeping Beauty at the Teatro alla Scala in Milan.


[edit] Political Change in Cuba
By the mid-1950s, the Alicia Alonso Ballet Company was in dire straits financially and politically. A dictator, Fulgencio Batista, had taken control and was determined to quash the heavy opposition to his rule. Supported by the island's financial infrastructure, the Mafia, and American business interests, he mercilessly repressed anyone who stood in his path. Declaring that all artists and intellectuals were left-wing sympathizers, he drastically cut what little funding the government had given Alonso's ballet school and touring group. Forced to work in nightclubs to earn a living, the dancers often had no energy to perform for Alonso. As the dancer became increasingly vocal in her disdain for Batista, the regime offered her five hundred dollars a month in perpetuity to stop her criticism. Disgusted, she folded her school in 1956 and joined the Ballet Russe de Monte Carlo with Yousevitch.

Alonso worked with the Ballet Rousse until 1959, during which time she performed in a 10-week tour of the Soviet Union, dancing in Giselle, the Leningrad Opera Ballet's Path of Thunder, and other pieces. Her performances earned her the coveted Dance Magazine Award in 1958.


[edit] Return to Cuba
When Fidel Castro took power from the Batista dictatorship on January 1, 1959, Castro vowed to increase funding to the nation's languishing cultural programs. Encouraged by this sudden change and eager to see her homeland again, Alonso returned to Cuba and in March 1959 received $200,000 in funding to form a new dance school, to be called the Ballet Nacional de Cuba, along with a guarantee of annual financial support. She officially founded the school in 1960, and within several years her dancers were winning international dance competitions.

Alonso felt strongly that she and her ballet school were "very much part of the Cuban revolution." She wanted her dancers to bring the beauty and excitement of ballet to the island nation's workers and farmers who had virtually no experience with artistic expression. She and her dancers even helped to bring in the crops from the fields, Alonso wearing a wide Vietnamese worker's hat as a political statement.


[edit] Disappeared from American Artistic Scene
Because of her intense and passionate affiliation with the new communist government in Havana, American audiences turned their backs on the prima ballerina and she vanished from the country's cultural radar. However, her company continued to build its prowess and achievements in both Eastern and Western Europe. In 1967 and 1971 she performed in Canada, where reviewers noted that Alonso was still the greatest ballerina of her time. When the Vietnam War ended and Richard Nixon left the presidency, Alonso was permitted to perform again in the United States in 1975 and 1976. An American reviewer said of the dancer, then 54 years old and a grandmother, "she creates more sexual promise than ballerinas half her age." The state-run Cuban film industry made a film containing all of Alonso's repertoire, but in American ballet circles she had been all but forgotten.


Ballet Nacional de Cuba performing in the Great Theater of Havana
[edit] Ended Days of Dancing and Beyond Alonso's career
Alonso danced solos in Europe and elsewhere well into her 70s, although her near blindness became increasingly apparent. In 1995, she and a number of other aging National Ballet members performed in San Francisco in a piece called In the Middle of the Sunset.

Alonso continued to serve as the director of the Ballet Nacional de Cuba in the early twenty-first century. Numerous books have been written on the ballerina, including Alicia Alonso: At Home and Abroad (1970), Alicia Alonso: The Story of a Ballerina (1979), Alicia Alonso: A Passionate Life of Dance (1984), and Alicia Alonso: First Lady of the Ballet (1993). During a November 2003 on-stage interview prior to a Cuban National Ballet performance in San Diego, California, she exclaimed, "I'm so happy to be here. And I'm happy whenever I'm on the stage. The stage is where a dancer should be, even if it's only to walk or sit. I am at home on the stage."

As director and leading dancer of the Ballet Nacional de Cuba, Alicia Alonso has been an inspiration and guide to the new generations of Cuban dancers. With her own consummate style, she has left her mark on the international world of dance. Some of her former and more famous students are now dancing at the American Ballet Theatre, the Boston Ballet, the San Francisco Ballet, the Washington Ballet, the Cincinnati Ballet and the Royal Ballet, among others. She has created her own works including La Tinaja, Ensayos Sinfonicos, and Lidia. She appeared in a feature-length documentary made in Cuba about her and her work Alicia (1977). She has served on juries at international dance competitions in Bulgaria, Russia, Japan, Brazil, and the United States.

In June 2002 she was designated UNESCO Goodwill Ambassador for her outstanding contribution to the development, preservation and popularisation of classical dance and for her devotion to the art-form, through which she has promoted the ideals of UNESCO and the fellowship of the world’s peoples and cultures.

She continues to direct her Ballet Nacional de Cuba, even though she is in her eighties and almost blind.

Monday, December 24, 2007

Judy Garland

Judy Garland
born: 10-06-1922
birth place: Minnesota, USA
died: 22-06-1969


Frances Ethel Gumm made her stage debut at the age of two, at her father's movie house and theatre. Judy's parents were small-time Vaudevillians, and they and their daughters would perform almost nightly.


After the family moved to California, Judy and her sisters began performing as 'The Gumm Sisters', and were enrolled in a show business agency for children.

She was signed by MGM in 1936, but unsure about Garland, she was loaned to 20th Century Fox where, ninth-billed in 'Pigskin Parade', she stole the show, and returned to MGM in triumph, and was cast as Dorothy.

'The Wizard of Oz' made Garland a star, but MGM couldn't see beyond the little-girl image, and insisted upon casting her as a child until her marriage to composer David Rose in 1941.

Unfortunately, Garland developed an increasing prescription drug dependency, which affected her work. She also began drinking heavily, and her marriage to Rose deteriorated.

In 1945, she married director Vincente Minnelli, with whom she had a daughter, Liza, but in 1950 Garland attempted suicide and, after recovering, was fired by MGM.

Garland and Minnelli divorced in 1951. She had a daughter, Liza Minnelli, with Vincente. Her third husband, Sid Luft, choreographed Garland's triumphant comebacks at the London Palladium, and New York's Palace Theatre. 1954’s 'A Star Is Born', was Garland's best film, earning her an Oscar nomination.

But Garland lost the Oscar and became depressed; her acting was increasingly inconsistent.A long period of inactivity ended when she began the weekly 'The Judy Garland Show' in 1963, but its success was short-lived, and it was cancelled after a year.

Garland's marriage to Sid Luft, which produced her daughter Lorna, ended in divorce in 1965, and Garland's life and career went into freefall.

A further brief marriage and a stint at a London nightclub were both disastrous and, in June 1969, Judy Garland was found dead in her London apartment, the result of an overdose of barbiturates.

Steve Coats looks at the lives and loves of the legend that is Judy Garland, as well as getting to the bottom of those Munchkin rumours.

Meg Ryan




Meg Ryan
birth place: Fairfield, Connecticut, USA.

Like it or not, Ryan is unlikely to ever escape her most memorable cinematic moment - the simulated orgasm scene in 'When Harry Met Sally'. However, after a raft of similar light comedy roles to Sally Allbright, such as 'You've Got Mail' and 'Sleepless in Seattle', she's now striking out in a new direction. Evidence of this is Jane Campion's menacing erotic thriller, where Ryan appears completely against type as a carnally proficient English professor.

Born Margaret Mary Emily Ann Hyra, her casting agent mother introduced her to movies but she went on to study journalism at New York University. However, to earn extra money while working on her degree, the wannabe actress went into acting, using her new name Meg Ryan.

In 1981, she had her big screen debut in 'Rich and Famous' and went on to have a minor role in low-budget horror sequel 'Amityville 3-D'. At the same time, she working in TV - as Betsy in the daytime television soap 'As the World Turns', and 'Wildslide' after she moved to LA in 1984.

It was her part of Carole Bradshaw in the highly successful 'Top Gun', alongside Tom Cruise in 1986, that launched her career.

It led to a role in executive producer Steven Spielberg's ordinary sci-fi yarn 'Innerspace' where she co-starred with Dennis Quaid. They were married on Valentine's Day 1991, and in 1992 their son Jack was born.

A series of roles in high-profile films including 'Promised Land' and 'DOA' followed, until she got the call to play Sally opposite Billy Crystal. Her effortless comedy performance led her to being nominated for both a Golden Globe and a BAFTA award.

Roles followed in 'Joe Versus the Volcano' and the biopic of legendary West Coast rock band 'The Doors' in 1991. She was nominated again for a Golden Globe for her performance in 'Sleepless in Seattle' and she followed this with 'Flesh and Bone' alongside her husband.

Ryan convinced as an alcoholic in 'When A Man Loves a Woman', with Andy Garcia, and starred in the Einstein spoof 'IQ' with Tim Robbins. The routine romantic comedy 'French Kiss' was followed by the period drama 'Restoration', adapted from Rose Tremain's novel.

After the Gulf War drama 'Courage Under Fire' with Denzel Washington, she was back on familiar rom-com ground with 'Addicted to Love'.

In 1998, she starred opposite Nicolas Cage in the ill-advised remake of 'Wings of Desire, City of Angels', and provided the voice for the cartoon 'Anastasia'.

Her next high-profile role was opposite Tom Hanks in 'You've Got Mail', for which she was nominated for a Golden Globe. Ryan starred alongside Lisa Kudrow and Diane Keaton as three sisters in 'Hanging Up', before appearing in Ridley Scott's thriller 'Proof of Life'.

At this time, Ryan and Quaid announced they were to divorce, and she was seen dating Russell Crowe, after falling for him on the set of 'Proof Of Life'. Next up was the formulaic 'Kate & Leopold', before she engineered a major change of direction to star in Jane Campion's neo-noirish 'In The Cut'.

Marilyn Monroe

Marilyn Monroe
born: 01-06-1926
birth place: Los Angeles, California
died: 05-08-1962


Norma Jean Baker endured a fatherless childhood of sexual abuse and poverty and was put in a string of orphanages and foster homes after mother Gladys Baker (nee Monroe), who suffered mental illness, was institutionalised.


At 16 she escaped her old life by marrying a 21-year-old aircraft plant worker, Jim Dougherty, who she divorced four years later. By this time she had begun modelling bathing suits and, after bleaching her hair blonde, posed for pin-ups and glamour photos.

Howard Hughes tried to get her a screen test but was beaten to the punch by 20th Century-Fox, who signed her to a contract - at $125 per week for six months - and changed her name to Marilyn Monroe.

After appearing in small parts in films including 'Love Happy' and 'All About Eve', Monroe found fame in 1953 with 'Niagara', 'Gentlemen Prefer Blondes' and 'How To Marry a Millionaire'. That same year, she began dating baseball player Jo DiMaggio, and a nude spread of her appeared in the debut issue of Playboy magazine. Monroe had hit stardom.

In 1954, she married DiMaggio - a union which was only to last eight months - before filming 'There's No Business Like Show Business' and 'The Seven-Year Itch', with the classic scene in which she stood over a subway grating, skirt billowing.

Monroe's work began to slow down but, after undergoing psychoanalysis, critics praised her acting in 1956 film 'Bus Stop'. She married playwright Arthur Miller the same year, divorcing him four years on. In the meantime, she fell prey to alcohol and pills, and suffered two miscarriages.

After a year off in 1958, Marilyn returned to the silver screen for smash comedy, 'Some Like It Hot'. In 1960, she appeared in 'Let's Make Love', with Yves Montand, with whom she had an affair.

'The Misfits', written by husband Miller, was to be her final film. Work was interrupted by exhaustion, and she was then fired from 'Something's Got to Give'.

She went into seclusion and on 5 August 1962, she was found dead at her home of an overdose of sleeping pills, aged 36. The verdict was suicide but has always been disputed, with countless conspiracy theories triggered by alleged affairs with brothers John F and Robert Kennedy.

Tuesday, December 18, 2007

Sex Who Needs It

Sex Who Needs It

I've found the past couple of years to be an eye opener in the world of
sexual experiences. I'm not necessarily referring to my own
experiences, but those of society in general. There was a time when
more smart-conscious decisions were made relating to sexual
relationships. But times have changed. The pillars that hold up our
individual sexual values have started to crumble. No longer can we
create our own standards without feeling ostracized by the society that
forms the standards for us. With influences coming from the media,
infatuated hormones and opinionated peers, teenagers today have turned
the act of love making into a whimsical joyride.
The difference between making love and having sex is miles apart. To
make love, the partners involved use their hearts more so than their
parts. To have sex, the partners use their parts more so than their
hearts. The key to this Dr. Seuss rhyme lies in the selected noun that
the partners use in their actions. Since hormones and feelings (hearts)
both exist on a different level, saying that they are the same would be
to take away all the feeling, emotion and love involved in love making.
Teens are letting their hormones control their sexual decisions by
giving in to the pure pleasure of sex. To make up for their lack of
solid reasoning behind their acts, they try to rationalize their
choices. The justification that many couples come up with for having
sex is love. I can't help but wonder how many couples would actually
stay together if their relationship existed without sex.
Friends and peers are a big pressure factor when deciding weather or not
to have sex. As seen in many after school specials, the popular "C'mon,
everybody is doing it," isn't far off the mark. Just knowing that three
or four other couples in a social group are having sex can sway a couple
to give in and start hitting their own home runs on their sexual playing
field. With each new couple having sex, the pressure current becomes
stronger and stronger, especially for those couples not sexually active.
At this point many couples get swept in the flow of the current and just
go with it; they do the nasty. Once they've committed themselves to
having sex, it's very hard to stop. The couple might find out that they
aren't ready for this big step in their relationship, but to stop having
sex would mean to lose face with friends! Well, do you think that
they're going to stop having sex? Not a chance! And, so they continue
their acts of whimsical joyriding, without any care to see where the
ride is taking them, just to keep their status with their social group.
The media is also a persuasive factor that plays a large role in the
life of a teenager. Although t.v. shows, films and magazines are all
supposed to offer escape from reality, many teens buy into the
situations presented as if they were real. For instance, how many teens
watch Beverly Hills, 90210? Now, here's a show that says to kids
straight out, "It's o.k. to have casual sex and not think of any
consequences." The writers even took the only virgin on the show,
Donna, who remained true to her faith for so long, and had her give up
her virginity. The one thing the writers failed to look at however, is
the number of youth that watch the show, and in that number, how many
take the ideals of the show and use them as their own personal values.
All of the characters on 90210, the most popular "teen" show on t.v.,
have casual sex. Teens who watch the show are going to take this into
account when they have their own sexual experiences. The love and care
given/received in a teenager's "90210 relationship" can only reflect the
fake morals seen on-screen.
The reality of consequence is the fastest wake-up call anyone can have
given to them. One needs not carry a glass ball around with them to
predict the future. All it takes is being able to visualize the
repercussions of their actions. Now, I know that every teenager has
been taught in health class how the sexual reproduction system of a
human works: the little male spermy-wormy goes for a swim up the canal
and fertilizes the little female egg-weggy. So, I am dumbfounded when a
couple that has had unprotected sex is shocked when they find out
they're expecting. Well, Hell-oOo?!? Didn't you read the label on your
penis, buddy? You know, the one that said, "May cause pregnancy; avoid
use before you are ready to father children." In a case like this many
people will have an abortion. Abortions are used so often that I'm sure
by now it can be considered a method of birth control. And if the
parents do decide to keep the baby, how can they care for it? To pay
for all of a baby's needs, a full time paycheck is required. Assuming
the mother stays home to care for the child, the father needs to quite
school to work full time. Once someone leaves high school, they seldom
come back. So, now he's stuck taking care of a baby and the wife (as
he's probably married by now), paying for all the diapers, food,
clothing, health care, mortgage, insurance, etc. These two parents have
all the responsibilities of grown-ups.and they're only in their teens!
And what's it all for? A simple night of hot blooded, hormone filled
passion, or as I refer to it, a whimsical joyride.
The pillars haven't totally fallen to the ground although the pressure
has been great. With so much outside influence, it is hard to come to
our own conclusions about what's right for us. Everybody else seems to
already know. The rate at which teenagers are evolving is awesome. We
want to do it all and we want to do it now! I hope that we take the
time to learn about the joys of the heart and try to shy away from the
joys of the part. The former is much more fulfilling, I'm sure, and
leaves you with more respect for yourself and your significant
other.that and it gives you a nice, warm feeling inside.?

Muhammad Ali

Muhammad Ali, originally Cassius Marcellus Clay, in his
lifetime became one of the best and most controversial
sports figures of all time. His upfront attitude and
devotion to the Muslim religion made him a role model for
many people. Perhaps the most surprising thing he did was
changing is name to Muhammad Ali after becoming a Muslim.
Ali, then still going by Cassius Clay, first came to world
attention in 1960, when he won the Olympic
light-heavyweight championship. After his surprising
victory over then heavyweight champion Sonny Liston in
1964, he produced a steady stream of headlines. He was the
first boxer to benefit from international television,
making him all the more visible to the world. In his second
fight with Liston, more controversy arose over the way
Liston went down and stayed down in the initial round. Ali,
however, proved to be a "fighting champion," accepting the
challenges of every heavyweight he had a chance to fight.

He was stripped of his title in 1967 for refusing military
service on religious grounds during the Vietnam War. He
claimed, "If going to war, and possible dying, would help
twenty-two million blacks in this country gain freedom,
justice and equality, I would join tomorrow." He also said
that he would not help kill poor people in other countries
when it is happening to his own people in America. He was
allowed to resume fighting in 1970 and had his appeal of
conviction upheld by the U.S. Supreme Court in 1971. Ali
regained the championship in a 1974 bout with George
Foreman. He lost the crown again in 1978 to Leon Spinks but
regained it the same year, thus becoming the first man to
win the title three times. Other than Joe Frazier and
Spinks, the only boxers to defeat Ali, who had a 55-5
record, were Ken Norton, who later lost to Ali; Larry
Holmes, who foiled Ali's try for a fourth heavyweight
championship; and Trevor Berbick, who defeated Ali after a
failed attempt to make a comeback. After his fight against
Berbick, he announced his retirement.

Leonardo De Vinci

Leonardo De Vinci

In the city of Vinci near Florence, a boy by the name of
Leonardo was born in 1452. Leonardo's father had a large
law practice in the city. Leonardo, who was raised by his
grandmother seldom played with other children and did not
care for school, however he was happiest by himself
sketching and studying what he saw around him. When he was
sixteen Leonardo went to Florence to live with his father
who was impressed by the sketches that his son showed him.
He sent Leonardo to study with Verrochio a well-known
artist of the time.

Leonardo was not only an excellent artist but he was also
a scientist, an engineer, and an architect. He made many
great discoveries that were not recognized as his because
he rarely spread the knowledge that he gained. Some of his
greatest discoveries were in the fields off; the arts,
architecture, construction, flight, industry and home,
measure, optics, transportation and war.

Leonardo was not a great person according to the great
person theory of history. This theory states that history
is motivated primarily by the opinions, actions and
thoughts of people not by political or economic factors.
The characteristics of the great person theory are:
charisma or personal magnetism, the ability to inspire,
decisiveness under pressure, bravery, self confidence and
assurance in a given plan of action. Leonardo's greatness
was not a product of the times in which he lived. Many of
his inventions were lost only to be rediscovered fifty to a
hundred years later. He did many incredible paintings and
frescos for churches and cathedrals that never would have
been done today and if they were they would not have been
as revered.

He was the illegitimate son of Piero his father. Leonardo
was born before Piero's marriage to Albiera di Biovanni a
bride that his family found for him. Their relationship
produced no children. Leonardos home was happy, and he was
well cared for. He even had loving and caring relatives.

He loved knowledge. This love possessed him to try to
learn everything. Leonardo was facinated with what his
school master taught at first, but after learning the
basics he became bored quickly. "In later life he came to
regret this headlong approach." Although if he was alive
today he most probably would have been an underachiever in
school, but would have done well in later life.

Leonardo spent a great deal of time in his youth exploring
the country side around his home. The town of Vinci is on a
mountain that is rocky on one side and has fertile lands on
the other.

An example of his love for knowledge is after walking
among the rocks one day Leonardo once wrote "I came to the
mouth of a huge cavern before which for a time I remained
stupefied... my back bent to an arch, my left hand
clutching my knee, while with the right I shaded my eyes;
and I bent one way then another in order to see whether I
could make out anything inside, though this was almost
impossible because of the intense darkness within. And
after remaining there for a time, suddenly there were
awakened in me two emotions, fear and desire: feat of the
dark, threatening cavern, and desire to see whether there
might be any marvelous thing in it." For the rest of
Leonardos life he was driven to see what marvelous thing
might be around him.

One day, Leonardos father decided to take a portfolio of
his son's drawings and sketches to Verrocchio. Once
Verrocchio saw Leonardos sketches he decided immediately
that Leonardo had more than just promise but he had talent.
Verrocchio was an extremely talented artist and he managed
to receive many commissions, in many fields of art. He also
enjoyed mathematics and he was a skilled engineer. He
shared all of his knowledge with his apprentices in all
three fields, art mathematics and engineering. This allowed
Leonardo to change projects every week, Leonardo enjoyed
working in this way.

He was the first person to experiment with building
materials or the loads that they could bear. An example of
one of his experiments is attaching a iron wire
approximately four feet long securely at either end. Then
place a basket in the middle. Set up a container to pour
sand into the basket with a spring so that when the wire
breaks the sand will stop pouring. Leonardo was also
interested in building safety. In his day building safety
was generally done by a process of trial and error, at
times buildings would even collapse with people in them
because architects and carpenters in Leonardos day did not
have our modern formulas for calculating safe building
structures. Leonardo would have been quite impressed by the
modern safety standards to save lives.

Leonardo was not only interested in human safety but he was
also interested in human comfort and easing the hardship of
life. He discovered many inventions to do this such as an
air conditioner for cooling the bedroom of the Lady
Beatrice Duchess of Milan. Leonardos inventions were not
only for the rich but to aid the lives of the poor working
class also. To this end he made a meat roasting spit that
turned its self. Saving the time and labor it took to turn
meat by hand. Another invention was an oil lamp with water
on the inside of a convex surface to create the action of a
lens. Alarm clocks had been around for hundreds of years
but Leonardo decided to build a new one using water and two
containers. When one container tipped over it would fill
the second container suddenly, a rope attached to the
sleeper's foot would be jerked upward waking the sleeper.
To speed up work and to do it more precisely Leonardo
invented a machine to cut screws. He also developed
machines of mass production. He developed new tools many of
which are used today, such as the monkey wrench.. Imagine
what he would have invented it this day and age where any
invention will sell if its on television.

Leonardo was one of the first individuals to think of a
horseless carriage. His carriage used springs, and had a
steering rod and the driver had to crank the springs
manually after they uncoiled. Leonardo also proposed the
first tank or armored car, an idea that was not used until
world war one.

He was against war and killing, but he created some deadly
killing machines. From new ammunition, weapons and
defenses. Leonardo also developed ways to counter his way
to attack. Such as placing dice on a drum at the location
where you thought your enemy was trying to tunnel under
your walls. He would have liked our policies of human
relief.

"See how the wings striking against air hold up the heavy
eagle in the thin upper air, near to the element of fire.
And likewise see how the air moving over the sea strikes
against the bellying sails, making the loaded heavy ship
run; so that by these demonstrative and definite reasons
you may know that man his great contrived wings battling
the resistant air and conquering it, can it and rise above
it." These were some of Leonardos observations about
flight. If Leonardo had not spent his time trying to build
a flying machine that worked like the wings of a bird but
instead tried to build a glider perhaps he would have been
the first man to fly. Leonardo spent great amounts of time
and energy in trying to develop a working flying machine.
He studied birds in flight and also conducted tests to see
how air made flight possible. Leonardo was again concerned
with safety and he once said "This machine should be tried
over a lake, and you should carry a long wineskin as a
girdle so that in case you fall you will not be drowned."
This was his idea of a parachute. Leonardos greatest
discovery in flight was that of the helicopter. He thought
of the idea when he saw a Chinese toy. He designed an
aerial screw that was meant to be whirled to attain flight.
He did not have a proper power source in his time to carry
this invention to completion. If he were alive today
perhaps he would be working as an aeronautical engineer.

Leonardo did make many discoveries involving power, like
new gear arrangements and roller bearings. He designed
sprocket chains that are very similar to those found today
on bicycles. He could never have built such chains with the
workshop tools of the time, but he built the plans for
them.

Science was not Leonardos livelihood although he spent
most of his time working on new inventions and problems.
Leonardo was an artist. Back in Leonardos day the lines
between science and art were not so defined as they are
today. Artists in Leonardos time worked out mathematics
using painting, to discover perspective. They discovered
the rules of anatomy.

One of Leonardos greatest achievements was his painting of
the last supper, considered by many to be his greatest
work. The last supper is barely visible now because he
decided to work in his usual easygoing way and not at the
speed that frescos normally take. He decided to develop a
new way to do them. This Painting inspired many of the
people who saw it.

Perhaps Leonardos best known work and that which we most
easily recognize as his is the Mona Lisa, a magnificent
painting. It is a picture of a beautiful lady dressed in
black. This picture is also most probably the most famous
painting in the world. It has been used in advertisements,
magazines and in cartoons to name a few examples of where
you may have seen it.

"His talent with art, indeed, prevented him from
completing many thing which he had begun, for "he felt that
his hand would be unable to realize the perfect creations
of his mind..." In his youth Leonardo wrote "I wish to work
miracles." Leonardo was a perfectionist never happy with
what he had made or accomplished. Despite his incredible
accomplishments, when Leonardo died in 1519 at the age of
sixty seven, he was unhappy. The debate still goes on if he
was a greater scientist or artist, perhaps it will never be
resolved.

Artist, engineer and scientist, are all words that would
describe Leonardo. Although he managed to become famous
throughout Europe, and go from humble beginnings to the
courts and palaces of princes and popes, Leonardo was never
happy with what he had done. It is this and a longing to
discover the wonderful things around him, that drove him
not any desire for fame or fortune.

Leonardos only characteristics of a great person were the
ability to inspire through his art. He could also work
under pressure when he had not worked on a project in a
long time and his employer was angry. Leonardo was not self
confident, because he would not put the faith in his
ability to be able to reproduce the images in his mind.
Leonardo was not brave for he had no need to be. He was
disorganized and had no course of action.

Although Leonardo did have some characteristics of a great
person he was not great. He was a genius, and a
humanitarian. The great person theory's characteristic
mainly apply to conqueror such as Hitler, Napoleon,
Alexander the Great or Julius Caesar. All of these men had
the characteristic of a great person. Leonardo was great in
his own way, a master artist, scientist and engineer he
always tried to overcome his problems. Never happy with
what he had accomplished he continually tried to find
perfection. This drive for perfection would have made him
great no matter when he lived.

Leonardo has fascinated all who have studied him, Bill
Gates paid more than thirty million dollars for a few pages
of a note book that Leonardo had worked in. Such a
fascinating individual will never be reproduced yet if he
were, that person would be sure to attain greatness.

Bibliography/Works Cited

"Leonardo DA Vinci" Encarta 1996 1996

Friday, December 14, 2007

Lindsay Lohan’s Most Shocking Moments



Lindsay Lohan’s Most Shocking Moments

She's only 21, but the actress has already caused enough controversy for a lifetime.

From dramatic weight loss to drink-driving arrests, the only predictable thing about the fiery redhead is her unpredictability.

Clint Eastwood

Clint Eastwood
Actor / Filmmaker
Born: 31 May 1930
Birthplace: San Francisco, California
Best known as: Star of the Dirty Harry films
Name at birth: Clint Eastwood, Jr.

Between 1959 and 1966, Clint Eastwood was a regular on the TV western Rawhide. In 1964 he went to Spain to work on A Fistful of Dollars, a western feature film with director Sergio Leone. The movie and his subsequent outings with Leone -- films dubbed "spaghetti westerns," with Eastwood as a nameless, taciturn loner -- made him a star. In the 1970s Eastwood became a superstar with his series of Dirty Harry movies, with the actor as a tough, taciturn cop with a vigilante streak. He began directing and producing his own films, beginning with Play Misty For Me (1971). Over three decades he has earned a reputation as a successful and efficient producer/director/actor, and as one of the biggest stars in Hollywood history. As an actor, his films include The Outlaw Josey Wales (1976, based on the novel by Forrest Carter), Every Which Way But Loose (1978), and Space Cowboys (2000, with James Garner). As a director, his films include: Unforgiven (1992, co-starring Gene Hackman), Mystic River (2003, starring Sean Penn) and Million Dollar Baby (2004, with Hilary Swank and Morgan Freeman). He was given the Oscar as best director for both Unforgiven and Million Dollar Baby, and both films also won Academy Awards as the best picture of the year.

Extra credit: In 1986 Eastwood was elected mayor of Carmel-by-the-Sea, California... "Clint Eastwood" was the name of a hit 2001 single by the hip-hop group Gorillaz... Eastwood's character in his films with Leone is often referred to as "The Man With No Name."

Mirjam Oldenhave

Mirjam Oldenhave (b. 1960) trained to become a creative therapist. She spent ten years acting in a travelling theatre company and gave drama lessons at a school for children with learning difficulties. She is currently working as a musical therapist at a medical day centre for children and devotes her time to writing for children. Her books are light-hearted and full of sparkle, with surprising twists and adventures, meeting the first requirement which children have about a book: to provide reading pleasure. Although Oldenhave doesn’t shy at more weighty topics�Een vriendin met vuisten (A Friend With Fists, 1998) and Donna Lisa (1999) are about bullying�her main strength lies in telling fast-paced, exciting, humourous stories. She was awarded the Flag and Pennant 2000 for Donna Lisa.

Thursday, December 13, 2007

Aaliyah

Aaliyah

(Aaliyah Haughton)
rhythm-and-blues singer, actress
Born: January 16, 1979
Birthplace: Brooklyn, N.Y.

Rhythm-and-blues singer and actress who was on the brink of superstardom when she died in a plane crash. Her self-titled album reached No. 2 on the Billboard album chart. She appeared in the 2000 film Romeo Must Die and in Queen of the Damned (2002).

John Lennon Biography


John Lennon achieved worldwide fame in the 1960s as a singer, songwriter and guitarist in one of the most successful bands of all time -The Beatles. He is credited as being the original and founding member of the band and was often referred to as "the smart one" of the group. He came from a working-class neighborhood in Liverpool England but was influenced by American Rock n Roll music and often named Elvis Presley as the artist who inspired him the most. As Lennon and The Beatles experimented with psychedelic drugs and embraced eastern philosophies they developed a new sound and greatly influenced the cultural movements of the 1960s with their style and social awareness. After the "Fab Four" disbanded in 1970, Lennon immersed himself in the counterculture scene, becoming an outspoken peace activist and producing avant-garde albums with his second wife, Japanese born, conceptual artist, Yoko Ono. John Lennon impacted society with his profound songwriting, innovative artistry and social views and continues to live on as an icon of musical genius.

Jamie Foxx


Jamie Foxx



(1967-)
Born Eric Morlon Bishop in Terrell, Texas, comedian and actor Jamie Foxx began in San Diego comedy clubs, and hit it big in TV, getting his own series, The Jamie Foxx Show, in 1996. His film breakthroughs were in thriller Collateral (2004), opposite Tom Cruise, and biopic Ray, which earned Foxx an Oscar.